Archives
February 21, 2018: Kolleen Carney Hoepfner: Review of Enter Here (KYSO Flash Press, 2017) by Alexis Rhone Fancher February 16, 2018: John Allman: Review of In This Maybe Best of All Possible Worlds (FutureCycle Press, 2016) by William Page February 13, 2018: Reyes Ramirez: Review of Virgin (Milkweed Editions, 2018) by Analicia Sotelo February 8, 2018: #TBT Reviews Series — Karen J. Weyant: Review of Kettle Bottom (Perugia Press, 2004) by Diane Gilliam Fisher January 31, 2018: Cody Stetzel: Review of Anemochory (Hyacinth Girl Press, 2016) by Leah Silvieus January 23, 2018: Mariel Fechik: Review of Field Guide to Autobiography (Operating System, forthcoming 2018) by Melissa Eleftherion January 17, 2018: Siham Karami: Review of The Body's Alphabet (Headmistress Press, 2016) by Ann Tweedy January 9, 2018: Logan February: Review of Fleshgraphs (Nightboat Books, 2016) by Brynne Rebele-Henry January 3, 2018: John McCracken: Review of What Urge Will Save Us (Spooky Girlfriend Press, 2017) by Alina Pleskova December 28, 2017: #TBT Reviews Series — Cody Stetzel: Review of Afterwards (Persea Books, 1985) by Amy Bartlett December 19, 2017: Donna Vorreyer: Review of Love & A Loaded Gun (Minerva Rising Press, 2017), by Emily Rose Cole December 12, 2017: Anna Press: Review of Love/Loathe/Lathe (Nostrovia Press, 2017), by Alain Ginsberg November 28, 2017: Cody Stetzel: Review of A Portrait in Blues: An anthology of identity, gender & bodies (Platypus Press, 2017), edited by Jayy Dodd November 21, 2017: Gabriel Ricard: Review of The Truth is Told Better This Way (BookThug Press, 2017), by Liz Worth November 7, 2017: James Batcho: Review of It's Fiction (Delere Press, 2014), by Yanyun Chen October 4, 2017: Reyes Ramirez: Review of Hands That Break and Scar (Sundress Publications, 2017), by Sarah A. Chavez September 26, 2017: Stephen Furlong: Review of All My Heroes Are Broke (C&R Press, 2017), by Ariel Francisco September 19, 2017: Amorak Huey: Review of The Girl (Porkbelly Press, 2017), by Donna Vorreyer September 12, 2017: Christopher McGoff: Review of The Somnambulist (Horse Less Press, 2016), by Lara Mimosa Montes September 6, 2017: Cody Stetzel: Review of Delirious: A Poetic Celebration of Prince (NightBallet Press, 2016), edited by Dianne Borsenik August 29, 2017: Reyes Ramirez: Review of Imaniman: Poets Writing in the Anzaldúan Borderlands (Aunt Lute Books, 2016), edited by ire'ne lara silva and Dan Vera July 18, 2017: Cody Stetzel: Review of First Crush (Hyacinth Girl Press, 2017) by Yinka Rose Reed Nolan July 13, 2017: Mary Riley: Review of Silk Flowers (Birds of Lace, 2017) by Meghan Lamb June 22, 2017: #TBT Reviews Series — Hilde Weisert: Review of Old & New Testaments (University of Wisconsin Press, 1995) by Lynn Powell June 8, 2017: #TBT Reviews Series — Eileen Murphy: Review of The Laura Poems (Blood Pudding Press, 2006) by Juliet Cook June 6, 2017: Mary Riley: Review of Cutting Eyes from Ghosts (Blood Pudding Press, 2017) by Ariana D. Den Bleyker May 31, 2017: Cody Stetzel: Review of Flounders (Essay Press, 2016) by Shira Dentz May 23, 2017: Aaron Davis: Review of Dust Bunny City (Disorder Press, 2016) by Bud Smith April 28, 2017: Laurin DeChae: Review of Slow Living (West Vine Press, 2016) by Kenyatta JP Garcia, with Interview April 13, 2017: Tanner Lee: Review of Contradictions in the Design (Alice James Books, 2016), by Matthew Olzmann April 6, 2017: Kenyatta JP Garcia: Review of Marys of the Sea (ELJ Editions, 2016/reprint forthcoming from The Operating System), by Joanna Valente April 4, 2017: Eileen R. Tabios: Review of locofo chaps (Moria Books, 2017), a protest poetry series edited by William Allegrezza March 21, 2017: Levi Todd: Review of Nate Marshall's Wild Hundreds (University of Pittsburgh Press, 2015) March 14, 2017: Stephanie Kaylor: Review of Meg Johnson's The Crimes of Clara Turlington (Vine Leaves Press, 2015) January 25, 2017: Stephen Furlong: Review of Michael Schmeltzer's Blood Song (Two Sylvias Press, 2016)