Acie Clark is a multi-genre writer from Florida and Georgia. He has taught at the University of Central Arkansas, Interlochen, the Provincetown Public Library, and as a mentor with Sunhouse. His work has been supported by the Fine Arts Work Center and the Collegeville Institute, selected for Best New Poets 2025, and anthologized in Divinity in the Margins, I Witness, and The Florida Anthology. His debut collection, Small Talk, was selected by Derrick Austin for the New Southern Voices Poetry Prize from Hub City Press. Recent work is or will be published in Adroit, Strange Hymnal, the Louisville Review, and 14 Poems.
Rain in the morning does my crying for me
All the seasonal coastal geese sit on a moored boat
in the process of shifting their range and dying of bird flu
Mirror of our efforts to proceed alongside
the poison in the disaster meat, a new arms deal,
a new month, another month, of genocide, another whale jaw
broken in two by a commercial trawl line, another starving species
In these first days of winter the seed pods, empty of seeds,
make a field of windows emptied of glass: a bed of open eyes
At some critical place inside me I feel underprepared, unpracticed
Nick says the day his child was born he felt himself begin
without belief to believe in another world,
not heaven, but some possible, survivable future
I envied him as he spoke
The nature of all grace — in its appearance —
I wrote this poem when I was living in Provincetown a couple winters ago, and there was a path I'd take with my dog that was lined with this flower a friend called "annual honesty." Once the cold came, I finally understood why: the seedpods go translucent and you can see right through them. It was one of those strange, rare moments where the image brought together the constellation of a poem I'd really been struggling to figure out.