Emma Bolden is the author of a memoir, The Tiger and the Cage (Soft Skull), and the poetry collections House Is an Enigma, medi(t)ations, and Maleficae. Her fourth poetry collection, God Elegy, is forthcoming from BOA Editions. Her work has appeared in such journals as Ploughshares, The Gettysburg Review, the New England Review, The Seneca Review, Pleiades, Prairie Schooner, TriQuarterly, and Shenandoah. An NEA Fellowship recipient, she is an editor of Screen Door Review.






Emma Bolden

The television translates each bomb


to a point on a pattern like cross-stitch, like fourteen count, like
red five stitches high, like this way the news will just barely

prick us, a needle’s tip on some small padded point on the thumb, like
but what is the point if we don’t find a way for us all to get out

of this year alive? My telephone blinks, a bad eye, blackened to blue.
The president asks the government to make him more powerful and

the government agrees because they believe he has the power to make them
more powerful, make their enemies powerless, or because they believe

their God will come down anointed to earth and save them, also anointed.
Look, each crosshatch on the television’s map is a bomb, is a mouth

on a child’s heart, a mouth on a child’s map, a child’s stomach full
of teeth. Each bomb is a child devoured until there is no such thing

as children. The television puts the news on pause to sell me pills
and Diet Coke to swallow them, to sell me a world made available

at fine retailers nationwide for the low low price of $19.99. Inside of me
the needles are crossing, crossing, I feel all that threads me together, sore

and red. Each crosshatch on the map is a mouth in a child’s face
opening, trying to find a word for her last breath.






Glass: A Journal of Poetry is published monthly by Glass Poetry Press.
All contents © the author.