Jennifer Saunders is a poet living in German-speaking Switzerland. Her chapbook Self-Portrait with Housewife was selected by Gail Wronsky as the winner of the 2017 Clockwise Chapbook Competition and is forthcoming from Tebot Bach Press. Her work appears or is forthcoming in Georgia Review, Glass, JuxtaProse, Spillway, The Shallow Ends, Whale Road Review, and elsewhere. Jennifer holds an MFA from Pacific University and in the winters teaches skating in a hockey school.



Previously in Glass: A Journal of Poetry: Note Pinned to My Lips Measured in Minutes


Jennifer Saunders

Wait a Second, Let Me Write It Down



It’s not a joke anymore, the way if I don’t write it down it won’t happen, the way I can stand in the grocery store staring at the milk and not remember my refrigerator is empty. How I make lists on my phone, on scrap paper, write notes on the back of my hand eggs sliced turkey call the roofer while everything slips through my fingers, clumsy and grasping. I’d forget my own heart if it weren’t trapped inside my ribcage and most days I do forget it’s there steadily thrumming detergent C. to hockey. I can’t remember the words to any lullaby, can’t match any song to its bird however long I study them outside my window. Sometimes a goldcrest crashes into the glass and this reminds me to fill the feeder, reminds me of all the clear panes I cannot pass through, polished to high gloss and waiting for impact. Sometimes breakage comes as relief. I’m only held together by the centripetal force of my own endless spinning. I’m only here because I don’t remember where else to go. The birds dart away too fast for me to follow, my shadow at the window like a phantom cat and they have inherited enough memory to know the tearing of teeth at the throat. Some days I want something to rip through me like that, to leave me as nothing but blood and bone. Some days it’s so beautiful, the way broken glass glitters and throws back the sun.




Glass: A Journal of Poetry is published monthly by Glass Poetry Press.
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