Savannah Slone is a queer writer who is completing her M.F.A. in the Pacific Northwest. Her poetry and short fiction has appeared in or will soon appear in Heavy Feather Review, Ghost City Press, decomP magazinE, Maudlin House, FIVE:2:ONE, Pidgeonholes, TERSE Journal, and elsewhere. Her debut poetry chapbook, Hearing the Underwater, is forthcoming publication with Finishing Line Press. She serves as the Assistant Poetry Editor at Boston Accent Lit and is a Wigleaf Top 50 Flash Fiction Reader. She enjoys reading, knitting, hiking, and discussing intersectional feminism.





Savannah Slone

mechanical horti(cult)ure



show me the ghosts you hide in the gaps between your teeth. offer me your rusty shovel let me bury myself alive in the iridescent webbing of your flaccid throat. bile inhalations, I won’t mind. for my birthday, I’d like to peel away your scarring. gift me your human suit, my Automaton. shrink me down to size: entomb me in your sliced away umbilical cord. or did your mother swallow it whole? be the punch line to my illusion. sprout flowers from your scalpel lesion, thank me, thank me very much, when they’re plucked from your garden placed on your headstone.


My poem, “mechanical horti(cult)ure,” explores the complexity that comes with human relationships. Feeding from one another. Wanting to give everything and take everything. The push and pull of interaction, possession, and growth. The healthy, the unhealthy, the grotesque. In writing this piece, I hoped that it might resonate with others as it has with different relationships I’ve existed within, in my own experience.



Glass: A Journal of Poetry is published monthly by Glass Poetry Press.
All contents © the author.