Topaz Winters is a poet, editor, actress, & entrepreneur. Her work has been published in Wildness & Winter Tangerine Review, profiled in Maudlin House & Cicada Magazine, & commended by the Scholastic Art & Writing Awards & the National YoungArts Foundation, among others. She is the author of the chapbooks Heaven or This (2016) & Monsoon Dream (Platypus Press, 2016), & the writer/star of the award-winning short film SUPERNOVA (dir. Ishan Modi, 2017). At 17, she is the youngest Singaporean ever to be nominated for the Pushcart Prize. She was born in 1999 & resides at topazwinters.com. At this moment she is learning of California poppies, the difference between warm milk & forgetting, & how magic behaves in times of desperate measure.




Also by Topaz Winters: Heaven or This Monsoon Dream SUPERNOVA


Topaz Winters

Trigger



The end begins with target practise: me & how I always forget to keep track of your hands. Sudden metal to my chest, finger on the trigger, & your eyes, god, your eyes. Question you ask that I would die before answering. & your finger on the trigger & it's not a metaphor, it's not hypothetical anymore. So if I must, I'll admit it now, with the barrel of a gun the only confessional: yes, I love the girl. I love the girl matchstick & gasoline, something fierce. Something holy. Something on my back & shotgun to my chest & yes, I love the girl like 14 reasons to bleed into the ground. I love her on the border of sainthood & sinner, her mouth the way burning happens. Louder than target practise & your eyes & shotgun which could so easily slam the door shut. Must I say it to survive? Then I will. I will. I love the girl. I love her like bitter wine. I love her like dead things eating their way into existence. If I must say it, I'll say it like emergency exit, like dismemberment. Yes, I love the girl. I love her like glowing in the dark. I love her like animal. I love her like shotgun to my chest, already on the way to unknowing. Yes, I love the girl. I love her terrified & wondrous, creature hiding from its own fury. I love the girl with your finger on the trigger & your eyes, your eyes, nothing in the universe gentler than this. What are you waiting for? There is no more to give. I love the girl. Can I not have this soft thing, too? On my back & shotgun to my chest & question on your lips & no more words to hear. So pull the trigger. I love the girl. I love the girl. Go on, I dare you, finger kissing metal. I love the girl. Pull the trigger. I love the girl. You are so close to something. I love the girl. There is no place quieter than here. I love the girl. I love the girl. Go on. I dare you. Pull the trigger.


Glass: A Journal of Poetry is published monthly by Glass Poetry Press.
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